Not many editors can make the transition from TV commercials to documentaries and vice versa. Long format programmes need a keen eye for detail, a feeling for story telling and the ability to interpret what directors want whilst suggesting ways forward that perhaps hadn’t been thought of. Russ has always worked on a wide variety of formats and is able to cope with the sometimes huge amounts of footage and tight deadlines whether the project is in Avid or Final cut Pro.
Documentaries
Not many editors can make the transition from TV commercials to documentaries and vice versa. Long format programmes need a keen eye for detail, a feeling for story telling and the ability to interpret what directors want whilst suggesting ways forward that perhaps hadn’t been thought of. Russ has always worked on a wide variety of formats and is able to cope with the sometimes huge amounts of footage and tight deadlines whether the project is in Avid or Final cut Pro.